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01Est. 2019 · Mumbai

Not a label that releases songs.

A music company that owns culture, creates IP and develops artists for the long term.

Releases
14
Artists
8
Operating since
2019

02Latest release

Overtime

Tejas, Farah Q

A joint EP four years in the making, built from the working relationship that started on Tuesday Money. Five tracks, split writing, one take on most of the vocals.

EP · 27 February 2026 · FMKR-012

03Catalogue

Recent releases

Fourteen records since 2019. Singles, EPs, albums and two tapes under the Boom Bap Bombay imprint.

A label that only releases songs depends on its next release.

We own catalogue, administer publishing, and build brands that outlast the records that started them. That is the difference between a release schedule and a company.

How the company is structured →

05For artists and partners

Infrastructure, not just a logo on the sleeve

Label services, distribution, publishing administration and one-stop sync clearance — available to artists we sign and to those we do not.

  • 01

    Label services

    The full release apparatus without the full signing. Term-limited and catalogue-specific.

  • 02

    Distribution

    Delivery to streaming, stores and physical, with metadata done properly the first time.

  • 03

    Publishing

    Registration and collection across societies. Writers keep their copyright.

  • 04

    Sync and licensing

    One-stop clearance across most of the catalogue. A yes or a no from one conversation.

06The group

One company, several brands

FMKR is the label. Boom Bap Bombay is the culture platform. Both are operated by FMKRP LLP, which holds the rights and runs the business.

Parent entity

Fat Man Kills Records Publishing LLP

The company that holds the rights, signs the contracts, and pays out the royalties. Every brand below operates on its infrastructure.

07Sibling brand

Boom Bap Bombay

Curation, beat tapes, editorial, podcasts and events. A room built around the records rather than the release schedule.

Send a demo. Clear a track. Ask a question.

Enquiries are segmented so they reach the right desk — demos to A&R, licensing to the rights team.

Contact